The title of this dark film about Hollywood and the movies applies to its two
main characters, each one heading to “The End” at the conclusion of their
intertwined stories. There is Norma Desmond (Gloria Swanson), who lives in a
decaying monstrosity of a mansion, which mirrors her post-mortem career as a
silent film star. But, we also have Joe Gillis (William Holden), who is much
younger, but whose screenwriting career is on a downward ride. In fact, we
already know that he is dead at the beginning of the story, which he tells from
beyond the grave. His claim to fame is that he has written a couple of
"B" movies. Now, he finds himself unable to sell one of his stories
to an ulcer-afflicted producer (disease being linked to the film industry
here). Hollywood
has its own Catch-22 for scripts – they won't be bought if they are either too
original or not original enough. Quality
in and of itself isn't profitable. One of Gillis’ scripts was changed from being
about the dust bowl to a story set on a submarine. As the writer says, he tried
talent last year – now he's trying to earn a living.
Gillis comes upon Desmond's Gothic castle when he is driving
away from men trying to repossess his car. The fact that she is living in the
past, because there is no place for her fragile ego in the present, is seen in
all the photographs of herself decorating the house. She has her own screening room where she
shows films of, what else? – herself. The ghosts of a past life inhabit this
place, and Desmond feels at home only in that previous life. Her former
director and husband, Max, is now her butler, and feeds her delusions to
protect her by sending fake fan mail. She does not want to leave her crypt. She
has silent film stars over occasionally, who Gillis dubs the "wax
works," emphasizing the lifelessness of Desmond’s world. She has a New
Year's Eve party with only Gillis in attendance, a spectacle without humans
inhabiting it. It is an ironic celebration of a holiday which only pushes her
glory days further into the past.
But, she is hopeful about the future now because the younger
Gillis has now arrived, needing her money. So, he promises to, appropriately, "ghost
write" her script. (This movie really piles on the “death” references). When
he bolts for a party with younger guests, she attempts suicide, again showing
how she almost ceases to exist when the present world intervenes. When he
returns to her, she holds up her arm to cover her face, reminding us of a stock
silent film acting gesture. Gillis feels badly about leaving and plays the role
of the gigolo, since Desmond is his only current salvation. Gillis is sucked
into her ghostly world, sleeping in the room of her former husbands, driving an
antique car, wearing clothes that she picks out for him. He is never given
enough money at one time, so he can't escape.
Gillis realizes he has lost his soul, and there is no place
for him in Hollywood
now. He breaks away from a young woman he was co-writing a script with in
secret, and who had fallen in love with him, not knowing about his relationship
with Desmond. He feels guilty about leading her on, causing her to want to
leave her fiancé. He tells Desmond the truth about the fake fan mail, and that
there will be no comeback movie. He packs his bags, and tries to leave, seeking
resurrection through his old journalism job in Dayton . But Desmond shoots him, and he falls dead
into that symbolic Hollywood status symbol,
the swimming pool.
Desmond totally escapes into her dream world of past stardom
as the police come for her with the press in attendance. She goes along only
when Max makes it look like she is being photographed for her film. The ending
is very creepy, with Desmond talking straight to the camera, to us, as the film
shows us how total escape into the illusion of the movies is frightening: "There's nothing else. Just us, and the
cameras, and those wonderful people out there in the dark."
For a movie about a silent film star, it is ironic that we
are given an Oscar winning screenplay which contains so much wonderful
language.
Next week’s movie is The
Maltese Falcon.
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