I had been thinking of taking this cruise since its
inception five years ago, and was inspired to finally sign up after receiving
encouragement from a fellow Bryn Mawr Film Institute member who sailed on the
prior four trips. If you are thinking of going on a future TCM cruise, you
should pre-enroll early. The ship fills up quickly. My wife and I checked the
TCM web site regularly for the sign-up period and pre-registered in early
spring for the November 1 cruise. If you don’t make it on the first round, they
put you on a wait list, just like you are applying to a college.
We sailed out of Miami and
stopped at Grand Cayman
Island and Castaway Key.
We were on the Disney Magic, but there were only 17 children onboard. Not your
typical Mickey Mouse experience. On the first afternoon the guests were
introduced by TCM hosts Robert Osborne and Ben Mankiewicz. These included Eva
Marie Saint, Lou Gossett, Jr., Angie Dickinson, Roger Corman, Ruta Lee, Illeana
Douglas, and Alex Trebek.
Robert Osborne started out as an actor quite a while back.
He became a friend of Lucille Ball, who gave him some career altering advice.
She said he could continue as an actor, but he was a journalist major, loved
film history, and was a good writer. She said he should write about the movies.
He took her advice, and, he said, he found his true calling.
Osborne interviewed Angie Dickinson, and commented that her
talents were wasted often. She said that she loved working with John Wayne on Rio Bravo , and
felt that his performance in that film showed a range of emotions. She said he
wasn’t given enough credit for his acting abilities.
Eva Marie Saint discussed the differences in the directing
styles of Elia Kazan and Alfred Hitchcock. In On the Waterfront, Kazan
wanted the actress to work from the inside out in the Method Acting style,
tapping into a feeling of innocence being lost, since her character was brought
up by nuns, and then was exposed to the brutality on the docks and the sexual
feelings toward Marlon Brando’s character. Obviously it worked, since she won
the Oscar for Best Supporting Actress. On the other hand, in North by Northwest, Hitchcock took her
shopping, molding her character from the outside in by fashioning the character’s
seductive and deceptive personality through the clothes and make-up she wore.
Ms. Saint had praise for those with whom she worked in films except for one
person – Gary Marshall, Penny’s brother, who directed her in the early Tom Hanks’
movie, Nothing in Common. She said he
cut out scenes which provided insight into her character, and did so without
informing her.
Los Gossett, Jr., described how Richard Gere came onto the
set of An Officer and a Gentleman
with a bit of a Hollywood star attitude. But,
after he realized that Gossett and the rest of the cast and crew were there to
work hard to make the film the best it could be, Gere came around and pulled
out all of the stops, especially in the scene where his character cries out
that he can’t quit because he’s “got nowhere else to go.” He added that the two
of them trained for months to learn martial arts to prepare for their roles. I
had a chance to get Mr. Gossett’s autograph, and I mentioned that I recently
saw Skin Game again, the film in
which he co-starred with James Garner. This movie is, of all things, a comedy
revolving around slavery in the South. Garner’s character sells Gossett’s
African American as a slave. Gossett’s character latter escapes, and they split
the profits. There is a serious undertone to the film, given the subject
matter. Gossett commented to me that the film was ahead of its time. I felt
that it could have influenced Quentin Tarantino when he made Django Unchained.
The song “My Way” could have been written for
producer/director Roger Corman. He recounted his maverick ways in Hollywood , never bending
to the will of the studios. He described how he made films in a week,
rehearsing for three days and then shooting for two. Sets were reused to cut
down costs. I remember seeing and enjoying those Vincent Price starring movies
based on Edgar Allan Poe’s stories. Corman gave many movie greats their starts,
including Francis Ford Coppola and Ron Howard. In a film clip, a tearful Jack
Nicholson expressed his love for the man that ushered him into the movies.
Illeana Douglas acted in several films I have seen,
including the remake of Cape Fear and
Stir of Echoes. I also admired her
performance in the TV show Six Feet
Under. What I did not know was that she is the granddaughter of Oscar
winner Melvyn Douglas, and that she had a ten year romantic relationship with
director Martin Scorsese. She just came out with a book entitled I Blame Dennis Hopper. The title derives
from the fact that her father, after seeing Easy
Rider, went hippie crazy. He grew his hair and mustache like Hopper’s
character in the film, and went around saying “Man” a lot. He also quit his job
and the family had little money after the homestead was turned into a commune.
Illeana said that her mother would say, “What do you want for lunch – peanut
butter or jelly.” She later worked
with Hopper, thinking she would tell him off, but he turned out to be a great
guy, so her anger was diffused. She told a strange story about Peter Sellers on
the set of Being There. She was a big
fan of The Pink Panther, and told her
grandfather, who later won a supporting Oscar for his performance in Being There, that she wanted to meet
Sellers. At one point in their conversation, Sellers said that Illeana should
learn how to ride a unicycle. She asked him why and he responded by saying that
not everybody can do it. After Sellers death, she happened to go to a medium.
The woman asked her if someone had talked to her about a unicycle. Yes, a
definite Twilight Zone moment. But,
then a couple of days later, she went home, and found a unicycle in the
basement. She asked her brother about it. He said he acquired it at a flea
market, and thought he might learn how to ride it. Ben Mankiewicz asked her if
she wanted to learn how to use it. She said, “Well, not everybody can do it.”
Speaking of Mankiewicz, I asked him what film he feels
compelled to watch whenever it is on TV. He said there were several, but he
singled out another Kazan
movie, A Face in the Crowd, an early
fascinating study of the way the power of the media can be used to sway the
masses, as one of his favorites. Recent films such as Gone Girl, Nightcrawler,
and even The Hunger Games franchise
have dealt with this theme.
Alex Trebek interviewed actress Ruta Lee who appeared in Witness for the Prosecution, and many TV shows. She and Trebek worked on a
game show in the past. She dressed glamorously and was very funny and engaging.
Trebek conducted two movie trivia sessions, and he is quite knowledgeable about
films. These events fill up fast. The first required participants to recognize
movie quotes. The second demanded a knowledge of film music scores. There are
usually six people per team. The group with whom I sat finished second in the
music competition. If you sail on this cruise, beware of the six retired
schoolteachers, also known as “The Dirty Half-Dozen.” Rumor has it that they
network every week all year preparing for the competitions. They have won every
trivia competition in which they participated on all the TCM cruises, sometimes
getting every answer correct! Be afraid, be very afraid.
Of course, there were movies being screened all day long.
You can watch them in theaters, in your stateroom, and on a huge screen in the
pool area, enjoying the stories in tropical warmth under the stars, both
celestial and celluloid.
Next week’s discussion is on a recent movie, Roman
Polanski’s Venus in Fur.
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