SPOILER ALERT! The plot will be discussed.
The title of this farcical satire, The Mouse
That Roared (1959), refers to the smallest nation in the world, the Duchy
of Fenwick, located on the Swiss-French border, which is a technologically
unevolved nation. It is oblivious to the current events that are occurring on
the rest of the planet. It becomes, through a series of ridiculous events, the
most powerful country, and the film uses the story to ridicule the arms race,
the destructive tendencies of the large governments of the world, and in
particular the foreign policies of the United States.
We know we are in for a crazy time when the
Columbia Studio’s trademark, the woman holding a torch, is disturbed by a mouse
under her dress, a metaphor for how the mighty can’t seem to handle the
unexpected disruption of something that should not be a threat. The credits
present opposing images and sounds, such as a small boat and then an ocean
liner, and an animated rodent that surprises itself as it roars like a lion.
These humorous contrasts stress the theme of how the mighty can somehow be
unexpectedly vulnerable to something seemingly insignificant. The opening
narration comically requires a magnifying glass to locate Fenwick, pointing out
its supposed insignificance. It was a British colony, suggesting English
imperialism, making it the only country in Europe that uses English (which also
makes the movie accessible for American and United Kingdom audiences). It is a
rustic, backward place, with old automobiles and residents using manual labor
while wearing clothes that look like they came out of Medieval times.
The ruler is the Grand Duchess Gloriana XII (Peter Sellers, in one of his multi-character portrayals). She waves her hand like Queen Elizabeth II as she drives her antiquated car, possibly a jab at the outdated royal ruling class in England. There is also a parliament, as there is in Great Britain, and the Prime Minister is Count Rupert of Mountjoy (a sexual reference or haughty last name? Also, played by Sellers). The country's forest is supervised by Tully Bascomb (yes, Sellers again). He is an incompetent having been caught is his own trap as a staring fox remains free, ironic for a guy who is supposed to take care of the woods. This image adds to the reversal of what would be expected to happen.
The Fenwick army consists of men in chainmail
using longbows, an anachronism in the nuclear age, but also much less of a
threat to others. Tully supervises the men, and when he uses a bow, the arrow
splits the wood frame before it can even be launched. It’s a visual that Woody
Allen might use later to show ineptitude.
The country’s source of economic success is its
wine, Pinot Grand Fenwick, and the inhabitants make it the old-fashioned way,
of course, by stomping on grapes in large vats. The United States has been its
primary buyer. But, then a California winemaker manufactured a knockoff of the
beverage, called it unscrupulously “Pinot Grand Enwick,” and used the
capitalist tools of “vast advertising” and discounted pricing, which ended
Fenwick’s wine selling in America. So, the affluent United States has such
power that it can make or break tiny sovereignties, driving them into economic
crises.
Fenwick’s protests to the U. S. have been
ignored, so Rupert says that the only way out is to declare war on the United
States. But the plan is not to win, which is impossible, but to lose. He says,
“There isn’t a more profitable undertaking for any country than to declare war
on the United States and to be defeated … the Americans pour in food,
machinery, clothing, technical aid, and lots and lots of money, “to the defeated
country. He declares that shortly they will be “rehabilitated beyond our
wildest dreams.” The film here satirizes the American desire for war followed
by its wielding economic influence over its former enemies. Of course the
policy, though overly expensive, is to win the defeated over so they can become
future allies. Rupert suggests that Tully will lead their small band of twenty
men, but the parliamentary opposition leader, David Bentner (Leo McKern) lists
Tully’s multiple failings, such as “flat feet, sinus, migraine and
claustrophobia” problems. He also is “nearsighted and dizzy in high places.”
Not exactly encouraging as a leader. But, Rupert finds him fit enough to lead
them to defeat, a low bar if any to reach. Bentner declares that, “War is reprehensible,
barbaric, unforgivable and unthinkable. And I second the motion.” The movie is
suggesting that it’s even worse to pursue a horrific course of action when one
realizes its terrible consequences.
The document declaring war is sent through the
country’s post office system with only a “special delivery stamp” added to
ensure its arrival in the United States. This fact comically highlights that
Fenwick doesn’t even have any diplomatic connections, so unsophisticated is its
government. After turning over the document to the messenger, Rupert and
Bentley drink a toast which is full of clichés and irrelevant famous lines,
such as: “the die is cast;” “Our cause is just;” “To be or not to be;” “Nothing
ventured, nothing gained.” It’s the kind of absurdist list that would
show up in a Marx Brothers routine or an Eugene Ionesco play, both of which
make fun of how language can become illogical and nonsensical by inept
communicators. The final words of the toast are, “To our glorious defeat,”
another ironic joining of supposedly irreconcilable terms.
Tully has no desire to leave his forest for a
war. Added to his list of ills is that he gets seasick on ocean journeys. But
Rupert and Bentley insist. Tully speaks with his lieutenant, Bill Buckley
(William Hartnell) who is to go on the journey to the U. S. with him. (Not sure
if this is another bit of satire, but he has the same name as noted political
conservative William F. Buckley, Jr). Tully says he will appeal to patriotism
to get volunteers. Men say they love their country but if asked to enlist, they
resoundingly say, “No!” The implication could be that people will give lip
service to their country as long as there is no sacrifice. Or, individuals may
on the surface be supportive of their nation, but realize governments are not
anywhere worth dying for. However, Buckley resorts to brute commands showing
how easily the timid can be intimidated, and they get their twenty volunteers.
The receipt of the Declaration of War is
rightfully considered a joke in Washington D. C. (yes, it does get delivered
there. That special delivery stamp must have done the trick). The absurdity of
the enterprise is stressed by the military contingent needing to flag down a
bus to get them to a small boat in Marseilles in order to sail to New York
City. The soldiers woefully drill onboard as Tully is consistently seasick.
These guys would lose to pacifists.
Meanwhile, as Stephen Colbert would say, the
United States is ready to have an expansive air raid drill over the entire east
coast of the country, closing the ports and evacuating the cities. This alert
is received on the QE II as it sails close to the United States. The captain
(Stuart Saunders) and the second officer (Ken Stanley) believe the exercise is
to prepare for the development of the “Q-bomb,” which is supposed to make “the
H-bomb look like a firecracker.” Apparently the further down in the alphabet an
explosive device gets its letter, the more deadly it is. However, the two say
no bomb will “replace the English Navy.” It's a satiric shot at the smugness of
the English mentality that clings to a feeling of superiority even though there
is no longer a British Empire.
The Fenwick boat approaches the QE II, and the
captain tells them to turn around since New York’s not open to sea craft. The
QE II is greeted with a barrage of arrows. It’s like that old cliché that
represents futility as throwing spitballs at a battleship. The Fenwick crew
continues to New York City, finding it empty. One soldier says he saw the
Empire State Building first, so he gets to keep it. It’s a joke about how some
get caught up in the idea of conquest, no matter how impossible the odds
are.
Buckley is impatient to get captured so they can
achieve their unorthodox goal. Buckley hears Tully squeaking and determines by
raising Tully’s arm that his mail became rusty in the rain. It brings to mind
the Tin Man from the wizard of Oz, and it fits since they have found
themselves, like Dorothy and her companions, in a strange land like Emerald
City, which is what New York City could represent here. The rusty sound could
also imply how out-of-date their weaponry is. This out-of-touch feel continues
when one man steps on some gum and calls it “germ warfare,” although they
question how there could be “sticky germs.”
The soldiers look into the subway and see
several people making the best of their seclusion. Buckley finds a newspaper
and tells Tully and the others about the air raid drill and the preparation for
the arrival soon of the awesome Q-bomb. At the New York Institute of Physics we
get a look at the explosive. As IMDb notes, the device is in the shape of a
football, which coincides with calling the launch codes under the U. S.
President’s control the “nuclear football.” Professor Alfred Kokintz (David Kossof)
and his daughter, Helen (Jean Seberg) work on the bomb at the Institute. How
does Kokintz secure the warning alert on the bomb? With a bobby pin from
Helen’s hair. So high-tech and reassuring. There is obviously a satiric thrust
at scientists that create such monstrosities without making sure that adequate
protections are present. Kokintz says he must “remove the detonator. It’s
sensitive.” Unfortunately no adequate fail-safes have been installed to reduce
its propensity to explode. Just lightly touching it produces an annoying
crackling sound like a scared animal.
An American decontamination man sees the Fenwick
men in their shiny armor and it is so alien-looking, he assumes there has been
an invasion of Martians. Now, these decontamination guys are wearing full-body
hazmat suits, so which ones really look like they are from outer space? The
Fenwick soldiers think the Americans are from another planet, at least until
they start taking off their outfits. Both sides lean toward paranoia when
confronted with something different, and the word of an alien invasion among
those in the fallout shelters spreads to the point where the supposed number of
extraterrestrials balloons into the thousands.
Tully thinks they are going to an arsenal but
the soldiers get lost and coincidentally arrive at the physics institute. Tully
remembers from the newspaper article that Kokintz is working there. He and his
men enter the building while General Snippet (MacDonald Parke), a name that
sounds like he’s going to perform a circumcision, calls the Secretary of
Defense (Austin Willis) about the report of an invasion from Mars. One may
recognize the hysteria of unreasoning, conspiracy-minded people as they react
to unfounded rumors here, as they did with Orson Welles’s radio program based
on the novel War of the Worlds.
Tully wants to take Kokintz hostage along with
the Q-bomb to have more leverage in bargaining with the Americans. The ease
with which Sully and his men acquire such a powerful weapon points to the
danger of having such weapons in existence. When Helen raises a bottle as a
weapon, her father, the maker of the most destructive device in history,
ironically tells her, “no violence,” which shows his lack of insight into the
ramifications of what he has created.
A military jeep containing Snippet and New
York City policemen drives by and the archers stop it with their arrows. It’s a
repeat of the attack on the ocean liner. The suggestion here is that despite
all of the highly evolved machinery and technology, something simple can derail
everything, and, thus, safety is just an illusion in times of modern warfare.
Sully captures the Americans as Snippet is in denial about what is happening.
Sully tells the boat captain that they won the war, given that they have the
Q-bomb, and there is now a Fenwick flag flying at the U. S. Customs building at
the dock.
Back in Fenwick, Rupert, Bentner, and other
officials are preparing for an American occupation by planning to be hospitable
toward their conquerors to facilitate the aid they will receive. They will
offer the visiting soldiers discounted wine, for instance, plan on getting
malted milk machines, and plenty of hot dogs. Rupert says that
non-fraternization should only last two days, and then he wants the young
foreign soldiers to feel that Fenwick is “a home away from home.” So, he is
suggesting making Fenwick females available for socializing. Why should being
defeated preclude entertainment? They have the American flag flying and a band
playing American songs, like “Frankie and Johnny.”
The precariousness of the Q-bomb is accentuated
as one of the soldiers cradles the explosive like an ominous demon-child in a
raging sea storm. Kokintz wants Helen to seduce Tully into letting her father
dismantle the bomb, but the pathetic Tully’s seasickness spoils this
attempt.
The Grand Duchess, Rupert, and the other
citizens are unhappily astounded to learn from Tully that they have won the war
and have the world’s most destructive weapon in their possession. Kokintz warns
Rupert and those present that the bomb could destroy most of Europe unless he
disarms it. The Grand Duchess seems unable to sort things out and orders that
the bomb be secured in a dungeon. But she is most hospitable toward Kokintz and
Helen, getting them a room next to her and ensuring they have fruit juice for
breakfast. This contrasting of the dangerous with the frivolous adds to the
film’s humor. The Grand Duchess is oblivious to the modern world as she tells
Snippet, who brings up the contents of the Geneva Convention, that she can
accompany his reading of the document on the harpsichord. She later thinks the
current U. S. President is Calvin Coolidge.
Snippet is rigid in his military way of thinking
and assumes that he must fight to be treated well. He refuses to go anywhere
without the basic standards guaranteed to prisoners of war. He doesn’t even
look to see that the Duchess offers opulent surroundings with plentiful food
and drink served by beautiful women. The policemen partake of this generosity,
while Snippet sits in a damp cell eating basic fare while the theme music from The
Bridge on the River Kwai plays in the background to satirize the general’s
macho insistence on being treated as a suffering captive.
In response to tiny Fenwick having the Q-bomb,
Britain and France try to cozy up to the new superpower. Russia, however, uses
the news to prop itself up and deploy propaganda by saying they invented the
bomb earlier but were too peace-loving to use it, and they then condemn the
capitalist countries for being aggressors. Tiny, powerless Taiwan, which has
been surpassed by mainland China as the dominant nation there, says it will do
what it can to help Fenwick fight the U. S. This humorous request shows how
another tiny, mousy nation wants to “roar.” The top news out of the United
States is the results of a World Series game, which implies that Americans are
more interested in sports than the safety of the world.
The irrationality of the whole affair is
stressed in scenes in the United States and in Fenwick. There are many
countries which are pledging military support for Fenwick against the U. S.
Each wants to retain the Q-bomb supposedly to protect it but they really want
to use it to intimidate the rest of the world. One of the United States
military men illogically says America can pledge more military support for
Fenwick than other nations. The Secretary of Defense ridiculously must remind
him that we can’t send aid to the enemy. The Secretary says the President is
sending him to make peace with Fenwick through surrender to prevent an
explosive holocaust.
In Fenwick, Rupert says that only an idiot could
foul up his plan, and “an idiot did,” as he refers to Tully. The Duchess
disagrees with Rupert that they should return the Q-bomb because he is worried
about its danger. The Duchess says the world powers will just invent the x, y
and “zed” bombs, so the danger is continuous. The movie suggests that her
analysis of the arms race among nations appears to be an accurate one. Rupert
and others resign leaving Tully in charge as the Prime Minister.
Rupert and Benter approach Helen and promise
their aid in helping her leave with the Q-bomb. Meanwhile, Tully ponders the
explosive as it looks like an egg sitting on a nest of straw, waiting to give
birth to destruction and chaos. He tries to be friends with Helen, a sort of
symbolic joining of the two warring factions. Tully kisses Helen, and she calls
him “thief,” but he is actually stealing her heart. However, Rupert and Benter
whisk her away with Snippet and the Q-bomb, which is sounding agitated. They
don’t know where Kokintz is. The professor happens to be stuck with the Duchess
who is playing the harpsichord. Tully witnesses his “girl” and his “bomb”
scurrying off.
The film then inserts an image of an atomic bomb
detonating. The narrator reassures the audience that it is not the end of the
story, but since such devastation could occur at any moment, the filmmakers
wanted to prepare us for the possibility. It is a darkly humorous ploy, and it
not only reminds us that we may be seeing possible catastrophe in the movie,
but that same nuclear horror can be unleashed in real life, too, at any
moment.
The representatives from the various dominant
countries attempting to find favor with Fenwick play “diplomacy” monopoly. The
fate of the world is depicted as just a game to those nations jockeying for
power. While playing the board game, the Russian says he gets to bomb
Philadelphia, and others get to take over other countries. A joke or real life?
Tully runs after the escaping car taking Helen.
While in pursuit, he again gets his foot caught in a trap in the forest he was
supposed to manage. The car carrying Snippet, Helen, and the cops breaks down
temporarily, and must be pushed. Snippet is alone in the vehicle as it takes
off. He runs into a haystack and the Q-bomb gets even louder. In a sort of
Keystone Cops routine, the policemen and others toss the bomb around like a
football, showing that the fate of the world is literally up in the air not
only here, but in real life. Tully is the last to get hold of the Q-bomb and it
appears he places it just over a sort of a white-painted goal line, enhancing
the football metaphor, and how lives are being played with. Despite the
increasing racket made by the Q-bomb, there is no detonation.
The next shot is that of Rupert and Benter
crushing grapes in a vat as punishment for their careless actions. Tully asks
that the peace treaty make Fenwick the sole provider of the wine brand they
were prosperous at producing. He asks for a million dollars for the country.
The Secretary of Defense insists it must be a billion, suggesting that the
smaller amount undermines the exalted reputation of the United States, which
knows how to throw money around in huge amounts to flaunt its affluence. Also,
Tully and Helen are to be married, a joining of the two countries in an
affectionate bond.
Tully says the Q-bomb will stay in Fenwick. He
argues that the large countries of the world have been so negligent in
protecting the world that it’s time for a sort of league of little nations to
give it a try and supervise disarmament of the powerful sovereign states. Tully
says that if the large nations don’t agree, Fenwick will set off the bomb. The
Secretary says that will destroy Fenwick, too. But, the Duchess argues that the
large countries will most likely cause a nuclear catastrophe, and Fenwick would
be wiped out anyway, so why delay the inevitable agony?
As Kokintz checks the bomb after its rough ride,
he sneezes and drops it. It does not explode. Kokintz declares the bomb a dud.
But Tully says it will be a secret shared by the professor, Helen, and Tully
supposedly so that they can wield enough power to bring about disarmament.
After they leave the room, a white mouse crawls out of the Q-bomb, and the
device makes some noise. Is the mouse representative of Fenwick and how there
has been too much power placed in the hands of powerful people that created a
threat to us all? The words after “the End’ question if that is so. The
implication is that there may be a disastrous detonation in our future which
could really cause “The End” of humankind.
The next film is A
Beautiful Mind.
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