SPOILER ALERT! The plots will be discussed!
I thought I would provide some brief comments on shows that have turned up recently on streaming service.
The
Good Nurse (Netflix)
This movie tells the story of Charles Edmund Cullen, a
nurse who moved from hospital to hospital, murdering as many as four hundred
patients, according to Eddie Redmayne, who plays Cullen, in an interview with
Stephen Colbert. As is the case of many serial killers, he is a white male who
seems harmless on the surface. He gets a job at the hospital where Amy Loughren
(Jessica Chastain) works, who is the actual good nurse of the title, as opposed
to the phony admirable nurse, Cullen. Even Amy, who is a single parent with a
heart condition that requires a transplant, lets her guard down when Cullen is
supportive of her. He keeps secret her condition so she can work long enough to
get health insurance coverage for the transplant. He even helps her with taking
care of her daughter, Maya (Devyn McDowell).
Redmayne is effective in presenting this complex
character who genuinely seems to care about Loughren and Maya. He only reveals
his anger once, in a confrontation with Loughren in a diner, which hints at the
monster below the seemingly pleasant surface. Chastain is very good at showing the
ailing nurse who can be vulnerable emotionally but also morally upstanding when
she needs to be.
The film reveals the astonishing way that the medical
system enabled Cullen to commit his crimes. Once personnel at his prior
workplaces suspected he was doing away with patients, they didn’t want to be
exposed as liable for hiring him and not discovering his homicidal tendencies
sooner. They, like the Catholic Church concerning pedophiles, simply allowed
him to transfer to other sites where he could continue his horrific acts. The
medical institutions, too, presented a phony façade and the movie implies they
were guilty as accessories, which, however, would be difficult to prove in a
court of law without definitive evidence of the knowledge of his crimes.
It is Loughren who is the honest one, who, when she
suspects, after talking with other people, that her new friend, Cullen, is
culpable, helps the police eventually apprehend him. During her collaboration
with the police officers, she puts herself and her child in possible danger if
Cullen found out about her aiding the authorities. There is a brief exchange
between Loughren and Cullen which illustrates how he was able to get away with
the killings. She asks him, “Why?” he did what he did, and he says, “They
didn’t stop me.”
The
Watcher (Netflix)
Ryan Murphy, the creator of this limited series, is
not known for his subtlety. Anyone who has endured his shows, such as American
Horror Story or Ratched, knows he loves to shock, albeit with some
style and dark humor. However, The Watcher may be one of his most
restrained projects. The series is loosely based on a true story about a couple
who bought a stately home in the suburbs and then started receiving threatening
letters from someone who spied upon them.
In the show, the relocating couple are Dean and Nora Brannock
(played by Bobby Cannavale and Naomi Watts, respectively). They have moved
to the supposedly safe suburbs to escape the dangers of New York City. The
irony is that the pastoral metropolitan outskirts turn out to be pretty scary. The
performances of Mia Farrow, Terry Kinney (whose Jasper likes to get inside the
Brannock house to ride their dumbwaiter), Margo Martindale, and Richard Kind as
the weird neighbors who do not like the invading Brannocks, are weirdly funny. Dean
is not a likable character since he is a deceptive person who hides his actions
from Nora. The hostile and overbearing way he deals with others is disturbing. Watts
does what she can with a character that is not well developed.
The show is suspenseful, and it introduces several
characters who could be the watcher. It is another story where what appears on
the surface is misleading. If you like a tidy ending that wraps everything up with
a conclusive bow, this show is not for you.
Bad
Sisters (Apple+)
Sharon Horgan (Catastrophe) developed this
limited series, and stars as one of those bad sisters, Eva Garvey. This dark
comedy/drama begins with the death of the husband of one of the sisters. The
husband is John Paul (Claes Bang who brilliantly creates the character), who
the sisters, except for his wife, call “The Prick.” That is an understatement.
He is a vile person, who manipulates everyone and thrives on humiliating all
the sisters and in the case of one sister causes her to lose an eye in a car
accident. Other atrocities become apparent along the way until the end of the
series. Like some politicians, he is always the victim and never accepts any
responsibility for his harmful actions.
We know from the outset that the sisters are worried
that they may be exposed as being responsible for John Paul’s death (his name
seems to suggest the demonic version of a pope). All the sisters have reason to
want the man dead. The brothers who run the secretly bankrupt life insurance
company that covered John Paul investigate to show that foul play was involved.
The story holds our interest, as in The Watcher, since it keeps shifting
as to whom is responsible for the murder. The writing is witty, and the acting
is superb in carving out the personalities of the various characters. The show implicates
the audience, the way Alfred Hitchcock does in his movies, as we identify with
the sisters, and become passive co-conspirators, wanting their plans for murder
to be successful. As in the very serious film, Gone Baby Gone, the
question here arises as to whether doing a criminal act supersedes what the law
dictates when the legal system is powerless to deliver justice. The show raises
the question as to whether these sisters are really “bad?”
The
Patient (Hulu)
If there was any doubt that Steve Carell can perform
in a dramatic role, this limited series makes that doubt rest in peace. Carell
is excellent as psychiatrist Alan Strauss whose patient, Sam Fortner (Domhnall
Gleeson in another terrific performance), turns out to be a reluctant serial
killer. Fortner’s daddy issues (his father beat him repeatedly as a child) created
lethal anger in Fortner toward anyone who appeared to be dismissive of him. His
method of death is strangulation, which is appropriate since Fortner is
stopping his condescending victim from spouting out any negativity toward him.
Strauss learns that his patient is dangerous when he awakes
and realizes that Fortner kidnapped him. His patient has chained one of Strauss’s
legs to a bed in the lower level of Fortner’s remote house. Fortner’s mother,
Candace (Linda Edmond), lives there and she is guilty of having allowed her
husband to abuse her son, and she has compounded that culpability by enabling
her boy to inflict his deadly anger on others. Fortner wants to be Strauss’s
only patient so the psychiatrist can cure him of his compulsion to kill. Unlike
most serial killers who feel no guilt about their actions, Fortner wants to
stop his deluded anger from driving him to more murders. But, he sets up a
situation that shows no feeling for the threatening position in which he has
placed his therapist.
Strauss appears calm and professional in Fortner’s
presence, but secretly suffers in fear. He undergoes self-therapy as he has
imaginary conversations with his psychiatric mentor. He experiences nightmares
that emotionally connect his imprisonment to his Jewish heritage as he
envisions inmates in the Nazi concentration camps. The show depicts his regret
over his contentious relationship with his Jewish Orthodox son.
Fortner continues to kill until he has a breakthrough
when confronting his father. But Strauss, who is at his wits end, concludes he
can’t endure the situation any longer. The ending is interesting, but I believe
it could have gone in several directions. If you have watched, or will watch
this series, maybe ask yourself how you would have concluded this tale.
The next film is Fences.
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