It’s a Wonderful Life (1946), directed by and co-scripted by Frank Capra, explores how a person finds a purpose in life. Sometimes that goal leads to the selfish acquisition of wealth. It may mean performing a heroic act on a large scale. And just sometimes it occurs in a small town in helping others find a little happiness in their lives.
This movie is a bit dark for a Capra film, whose
credits include It Happened One Night and A Pocketful of Miracles,
although another Jimmy Stewart /Capra movie, Mr. Smith Goes to Washington,
shows the cynical side of politics. This story takes place between 1919 and
Christmas Eve, 1945. The opening seems tacky today as twinkling stars in the
sky, which represent angels, discuss the need to help George Bailey (Stewart).
They have received prayers that he is in despair. They choose the angel Clarence
(Henry Travers) for the job so he can finally earn his wings. What follows is a
summation of George's life up to December 24 of 1945 so that Clarence knows
what he is dealing with.
A couple of incidents in young George’s life set the stage for how even what seems like an insignificant life can have important consequences in the grand scheme of things. The local druggist in the small town of Bedford Falls, Mr. Gower (H. B. Warner) owns a soda shop where George, the boy, works. Gower is distraught because his son died most likely due to the Spanish Flu pandemic. He accidentally puts a poison in a prescription, and George brings that mistake to his attention. George also saves his younger brother from drowning in a break in the winter ice in a pond.
George's father (Samuel S. Hinds) and Uncle Billy (Thomas Mitchell) work at the struggling Building and Loan company that makes low interest loans to people to buy houses. The greedy man who owns most of the town is Henry Potter (Lionel Barrymore). He is on the Building and Loan’s board and would like to put it out of business so he can have a monopoly on charging exorbitant rates on loans to the people of the town. There are references to “Potter’s Field” in the film, which is where poor people were buried when they died, and the implication is that Potter is the nasty capitalistic force that drains the life out of deprived people during their lives. Potter’s appearance almost looks like a ghost and IMDb states that Capra wanted to depict him to look like the famous painting “American Gothic.The film was seen by some as leaning toward Communism since the banker is depicted as the villain. George’s father says, “All you can take with you is that which you’ve given away,” which suggests that generosity is the true virtue because one is putting others above one’s own needs. George as an adult tells Potter, “this rabble you’re talking about, they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live in a couple of decent rooms and a bath? Anyway, my father didn’t think so. People were human beings to him. But to you, a warped and frustrated old man, they’re cattle. Well, in my book my father died a much richer man than you’ll ever be.” These statements sound more Christian that communistic, and a Marxist wouldn’t put much stock in prayers and angels.George is not so altruistic as a young man. He finds
his father’s work dreary and wants to get out of “this crummy little town.” He
wants to go to college and eventually gain success by building “airfields,” and
“skyscrapers,” and “bridges a mile long.” However, his father dies, and his
brother Harry (Todd Karns) first goes to college and then marries. His
father-in-law offers him a job upstate. George sacrifices his ambitions to take
over the family business. He even sees a friend, Sam Wainwright (Frank
Albertson), become prosperous. His dreams for himself become eclipsed by his
commitment to his father’s vision.
George's company provides several families a chance to
own their own homes which aggravates the killjoy, Potter. He offers George an
exorbitant salary to work for him and dissolve the Bailey business. Potter is
like Satan tempting the Christ-like figure of George. Although leaning toward
accepting the job at first, George quickly recovers his moral vision and vehemently
rejects Potter’s deal. Capra’s view of moral fortitude offsetting selfish
temptation seems a lost hope in our egocentric present times.
When George finds himself back on the bridge he prays and says he wants to live. Clarence reverses his act, and George is now part of the community he helped build. When he returns home Mary has done a “Go Fund Me” action and tapped into the generosity that Capra sees as exiting underneath all the greed and selfishness in the world. Everyone contributes to save George’s business, and there is a welcoming home of Harry as a war hero. Clarence left a note for George in a copy of Tom Sawyer which says, “Remember, George, no man is a failure who has friends.” The film is saying that it is one’s worth to others that enriches a person.
Clarence said that when a bell rings an angel gets his
wings. A chime on the Christmas tree sounds, telling us that Clarence has been
promoted. The film has all sorts of bells ringing, including cash registers, telephones,
and doorbells. These chimes not only announce the winning of an angel’s wings
but also the saving of human souls. It is thus fitting that the last image of
the film is a huge bell ringing, suggesting the possibility of the triumph of
human morality.