With 2016 drawing to a close,
I thought I would mention some noteworthy films that I saw this past year.
I found The Lobster, an uncomfortable movie to watch, to be an accomplished
satire on the dehumanization of people. The characters appear to move and
sometimes speak in robotic ways. They sometimes aren’t called by their given
names, but instead receive nicknames, as people seem to be unable to know and
relate to each other. Yet, being alone is condemned in a society that has
forgotten how to be social. So, coupling with another is enforced, and if one
fails, the dehumanization becomes complete, as individuals devolve, literally,
into animals.
Captain Fantastic offers up excellent acting all around, headed up by the paternal figure
played by Viggo Mortensen. The story explores what it would be like for a
family to try to live completely off the grid, and whether that attempt is a
positive choice, or if it is even possible in modern society. The premise
allows for observations about the American way of living, and in particular,
parenting.
Manchester by the Sea is a heartbreaking tale of a man so traumatized by a
personal tragedy, that he has become completely alienated to the point that he
is unable to communicate except through anger. He haunts his world like a
ghost, and is unable to call any place his home, especially the town where his
trauma took place. The death of his brother forces him to confront family
responsibility, but his pain is a barrier to any success in this endeavor. His
inability to connect with others manifests itself in other characters as well,
resulting in an observation of society as a whole. It’s easy to see why Casey
Affleck’s performance may be recognized at Oscar time.
An almost unseen, but
excellent film, is The Confirmation.
This movie, starring Clive Owen, explores the plight of the working class who
were evicted from the American Dream following the recession of 2008 in the
United States. Owen plays a struggling carpenter with a drinking problem as
well as a cash-flow one. He also is divorced and has a shaky relationship with
his son. The movie deals not only with the “confirmation” of religious beliefs,
but also the ties between father and son, and with one’s own self-worth. Owen’s
craftsman character tries to rebuild his life as he seeks gainful employment.
And of course, there is La La Land. This movie transcends the
musical genre as it zeroes in on the struggle, the imagination, the thrill, and
the heartache of success and failure in the dream factory that is Hollywood.
With references to many actors and films, especially An American in Paris and Rebel
Without a Cause, this wonderfully directed, scored, and photographed work
celebrates and skewers the world of show business. Ryan Gosling is great,
singing, dancing, and playing the piano. But, Emily Stone is transcendent. Look
for this film to get the Best Picture nod at the Academy Awards.
Other films that dealt
successfully with family relationships are Hell
or High Water (great writing and terrific acting), a modern Western, and The Meddler, which uses symbolic
elements to show people struggling to leave the past behind in an attempt to
forge new bonds with estranged relatives and develop new connections to others.
If you enjoy scary,
unsettling movies, check out the claustrophobic thrillers Green Room and Don’t Breathe.
And, if you’re going to make
a superhero movie, make it super funny. Deadpool
had more funny lines than any film in recent memory.
Have a cinematic Happy New Year.
That you did not include 'Moonlight' as one the best movies for 2016 puts into question all your choices - I would not consider you a valid source of good information.
ReplyDeleteDidn't get to see "Moonlight" until this past Friday. Sorry about that. Yes, an excellent film that showed what it was like growing up as a gay young black person in an impoverished environment. Powerful and emotional. Also, I saw "Hidden Figures" today. A story that should have been told earlier, but glad that it finally was. Terrific movie.
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